Tag Archive - Bad Business

Sneaky Unsubscribe Page

Somehow, somewhere, I got on the email list for US News and World Report. When I finally unsubscribed today, I thought their opt-out page was pretty sneaky.

US News and World Report Unsubscribe

I have always hated the “opt-out confirm” step, and think that unsubscribe links in emails should be a single click unsub. This one though used some subtle placement and language tricks that I’d expect to see more from shady grey-hat email marketers, than big old-media magazines.

As most users probably do, I read the page left to right, skip over or skim most of the text, and my first instinct is to click on the button marked “continue”. Since I just clicked “unsubscribe” on the previous page, my mind is expecting at first glance, that “continue” will continue the unsubscribe process I have already started. It actually keeps you ON the list if you hit that button.

Annoying.

I Guess They Really Need Some QA

From the actual ad:

Here is an opportunity to have a QA job that has flexibility, variety and a lot of growth potential. Lexia Learning Systems develops, sells and supports a suite of software products that aid in successful reading instruction. We also have products that develop visual-spatial and logical reasoning skills as students navigate through a series of games.

Ad here.

Attention All Freelance Designers Answering Craigslist Ads

I just posted another ad on Craigslist looking for some freelance design work, and it seems like very little has changed since the last go ’round some 13 months ago. Sadly, I don’t even need to re-write the post I threw together last time, I can simply re-cycle it. Here it is in case you missed it.

———– Originally Posted December 2006 ———–

I am not a professional designer, I only play one occasionally on the internet. I have taken some formal design training, I did used to live with a very talented professional designer, and I do have some very talented friends who are in fact professional designers, but I myself, am not a professional designer. I am however, someone who can distinguish good design from bad (or at least I think I can), and feel like I can recognize technical mistakes, sloppiness, and just those simple things that can set a real quality designer apart from the wannabees.

Why does this matter you ask? Well, recently I was tasked with finding a designer to do some long term contract work for the new company I am part of, and I reluctantly posted the position on Craigslist, knowing that I would get a deluge of responses, most of which would be unqualified at best. The hope when posting on Craigslist is that you get two or three passable respondents, and if you are lucky, one that is hire-able.

When looking for a designer via a classified ad, I always try to pre-filter the applicants by asking for a very specific and reasonable set of items in the response. The thinking is that if someone cannot follow this very simple bit of direction, there is no way that they can possibly be counted on to follow more complex direction relating to the projects that we would ultimately have them working on. This is exactly what I included in the ad, verbatim.

To be considered for this position, please send a resume, several relevant work samples (a URL to a portfolio is best), your desired hourly rate, your availability, and a little information on who you are. Inquiries that are missing any of these pieces will be discarded and not considered.

Not surprisingly at all, roughly 50% of the responses were missing at least three of the things I had asked for. Some even wrote single sentence replies, saying “I would like to be considered for this position.” and included no resume, portfolio, work samples, or anything else beyond that one phrase. Honestly.

Luckily, there are SOME people that were talented and able to follow simple directions, which was encouraging. However, here is some advice for you designers out there that are trying to make it in the freelance game. It’s a tough gig, and you need to be always scrapping for work. Remember that there are a lot of you out there, and you are going to be competing tooth and nail for every posting on Craigslist, with at least 75 other people, so you need to stand out. And sadly, standing out in many cases, may only mean doing the minimum of what is expected of you during the ad-reply process. That being said, here are some things to keep in mind if you are looking for, and applying for, freelance work.

  • Read the posting and respond properly. I know this sounds horribly basic, but somehow this is the single most irritating and common offense that I have seen each and every time I do this. If a hiring manager asks for specific items in the ad, and you flatly ignore them and send a response that is missing pieces, you will be filtered out immediately. Screwing this one up shows a complete disinterest in the details and an inability to follow simple instructions. Very bad.
  • Get your own URL. A top level domain costs $8, so ditch the geocities account and get a domain. I know this sounds a bit pretentious to say that those designers using freebie ISP URLs are no good, but having your own domain, given the non-prohibitive cost, can really go a long ways in making you seem more professional. Again, attention to detail and going the extra mile here is very important. Having your own .com is simple and cheap, not doing it is just….well…cheap. So get a URL and use it.
  • Make sure the URL works. I can’t tell you how many times I get portfolio URLs that don’t work, go to error pages, or go someplace where I need to dig for the work samples. I understand that sites go down every now and again, but broken URL’s, and out of date pages with missing information are quick deletes in my book. Spend the time to make a specific page on your site and use it to store easy to find and nicely laid out work samples, and make sure it is in a place that is always up to date and working. And for the love of god, don’t bother sending a URL that you KNOW is broken, qualifying it by saying “my site is still under construction, but here it is anyways”. Honestly, use your head.
  • Write a genuine and custom response to the posting. I am not looking for a 500 word essay on how much you love the idea of this job, but I am looking for some evidence that you actually are reading these job postings and not just firing off 50 stock responses per day to every ad with the word “graphic” or “designer” in it. If I am looking for a web graphics person, I don’t need three paragraphs on how “sick” your 3-D animation skills are, or other babble that is completely irrelevant and unrelated to my need. Oh, and if you are doing the copy/paste responses, please make sure to remove references to the other jobs you are applying to with the same email BEFORE sending it to me.
  • Know the market. Maybe in 1995 you could command $125 an hour for some basic HTML work, but that’s not the case now. Sending me a quote of $95/hour for graphic design work, along with your AOL website is a joke. I completely understand that good design costs money, but don’t price yourself out of the game by not having a clue what the going rates are.

    I am sure there are some more things I will add to this list in the next week or so, but those are the biggies. Violate these tenets, and you may as well get comfortable with the idea of finding a real job, because freelance design isn’t for you.

    Oh, and I guess this is also relevant. When it comes to judging a designer’s work, I typically know within a minute or two whether or not someone has the skills to do the job. These are the immediate things I look for (once you have gotten past the above items of course):

  • Strong use of typography. If you use Papyrus font on restaurant menus and Microsoft stock fonts for everything else, that is a very very bad sign. There are millions of free fonts out there, and the proper use of typography can really show that you know your stuff. Mailing it in on the font side though, is a deal breaker in my eyes.
  • Properly used filters and effects. No need for gradients, drop shadows, pattern overlays, glows, and every other Photoshop filter on every graphic you have ever done. There is a time and place for filters and effects, and you should know when those times are and where those places are.
  • Right image formats at the right times. Know the difference between gifs, jpegs, and pngs and know when to use them.
  • Good basic design sense and understanding of balance, alignment, and color. Again, basic stuff I know, but somehow a lot of awful design work comes my way that just has no place in any professional designer’s portfolio.
  • Understanding and following of current design trends and styles. Design (especially for the web) is a very fluid thing, and though obviously subjective, it is constantly evolving and moving…so if all of your samples have old stock imagery and lots of antiquated elements, you probably won’t make the grade.

And that’s that. If other designers and/or those that are tasked with hiring designers want to weigh in, the comments are open.

Phone Books And ATM Receipts – Paper Wasted

I will be the first to admit that I am not someone that goes nuts trying to lead a green lifestyle. I mean, I do the basics. I recycle plastics and glass at home, I drive a fuel efficient car and have looked at some hybrids for my next purchase, and I re-use all of my plastic grocery bags. I think I am like most people, green when it is convenient and reasonable, but not necessarily one that goes out of his way to make an environmental statement.

That said, there are two things that drive me nuts when it comes to wasted paper.

The first is ATM receipts. I am a Bank Of America customer, and have noticed that every BOA ATM that I visit has one thing in common – the trash baskets are overflowing with, and the floor is covered with, scattered ATM receipts. I, like most others, follow the same routine with every transaction. Put card in, deposit/withdraw money, take card, take receipt, throw receipt in trash. The lifespan of that receipt is less than 3 seconds in almost every case. I never keep them, and usually handle them just long enough to move them from the dispensing slot to the trash can below. What a waste.

ATM Receipts Everywhere

Though the amount printed on the receipt is sometimes of interest, why can’t I just view this on the screen and opt to not get a receipt? As far as I can tell, with BOA at least, there is no chance to decline the receipt, it just comes out no matter what. And in the event that you make multiple transactions, say a deposit, followed by an immediate withdrawal, you get two receipts.

I am totally making up numbers here, but say the BOA ATM near my office handles 100 or so transactions per day, and say that is the average (again, totally flawed numbers I know) across the 17,000+ ATMs in the BOA network alone (they claim this number on their website). That is 170,000 receipts printed per day. Not an insignificant amount of paper produced from just this one bank, just from ATMs, just in a single day.

What if Bank Of America changed to an opt-in receipt system, as in you get no receipt unless you request one during the transaction? How much paper could be saved each year? It seems like a lot. Perhaps I am missing something here, but it strikes me as one of those really simple things that could have a huge impact on the environment.

The second waste item is phone books. Apparently the new Yellow Pages books came out last week for 2008. I know this not because I use them or care, but because I have seen a stack of them on my building’s stoop, and in the lobbies of every other building in Boston this week. They get dropped off at every residential building in the city, the number of phone books equaling the number of units in the building. My building having six units gets six phone books, the neighboring building gets probably forty or so of the big yellow books.

IMG00094.jpg

Like the ATM receipt, in my neighborhood specifically (which is about 80% comprised of people under the age of 35), the phone books exist simply to be disposed of. The life cycle is simple. They get printed and dropped off at my building. They will sit there untouched for about two weeks, and eventually someone, probably the building super, will move them back behind the building next to the dumpster and they will become trash. Spines never cracked, pages never viewed.

Now I know that unlike the ATM receipt, there are some economic pressures at play here that will keep these books showing up on my steps for years to come. The Yellow Page business is just that, a business. The Yellow pages makes money from ad sales, and ad sales is driven by distribution and circulation. However, unlike some magazines and newspapers for instance, distribution and circulation for the Yellow Pages involves leaving giant stacks of these books on the steps of people who don’t care about, and will never see their contents. Once the truck drops off the book, it is part of a circulation number that an ad sales person can use to sell ads into next year’s edition, and the cycle continues.

Although it would make much more environmental and logical sense to move the Yellow Pages to an opt-in model as well (no phone books delivered unless you request one for free), it doesn’t make business sense. The Yellow Pages knows that it if residents in my neighborhood stopped receiving the Yellow Pages unless they asked for it, no one would ask for it (or almost no one would ask for it), effectively cutting off their circulation numbers at the knees, killing their ability to sell ads and thus killing their ability to survive.

Yellowbook.com has a great graphic showing the life cycle of a directory
. Fittingly, it omits the step that would involve a consumer using the book. At least they understand their own process!

So maybe there is more hope for opt-in ATM receipts than there is for opt-in phone books, but moving both things to this model would make me happy, and would save one hell of a lot of paper as well.

Page 1 of 712345»...Last »